Music Publishers
Manage works, contracts and distributions with rightsholder control, ECAD integration and CWR exchange.
- Repertoire registration and management
- Rightsholder and share control
- Automated royalty distribution
- Detailed financial reports
Centralize works, recordings and releases with ISWC, ISRC, UPC and splits per right type.
Register songwriters, publishers, performers, musicians and producers with IPI/CAE, societies, pseudonyms and bank details.
Register publishing and administration agreements, terms and right types that define who controls each work.
From income to distribution: import statements from paying sources and split the amounts among rightsholders.
Generate and import CWR files and track the acknowledgement (ACK) from societies and partners.
Receipts, royalty statements, financial position, annual income reports and rankings of top earners.
Issue usage licenses for sync, mechanical and advertising from document templates.
Find duplicates, merge records and validate repertoire before an error reaches a payout.
An app for songwriters and artists to check repertoire, statements and payments without calling your team.
Import the ECAD registry of works and recordings and its distribution statements.
Generate and import Common Works Registration files and track the acknowledgement from societies.
Import publishing and recording statements from The Orchard and split the amounts among rightsholders.
Import Backoffice statements and identify works and rightsholders automatically.
Import digital revenue statements from Believe and split the amounts among rightsholders.
Import digital revenue statements from ONErpm and split the amounts among rightsholders.
Manage works, contracts and distributions with rightsholder control, ECAD integration and CWR exchange.
Control recordings, releases and costs, import revenue from distributors and pay artists and producers.
Control recordings, artist contracts and revenue from multiple distributors in a single dashboard.
Organize multiple catalogs, business rules, reports and statements in a fully traceable structure.
Plan prices are per module: publishing (copyrights) or recording (sound recordings). If you run both, each module is subscribed separately.
Entry plan, ready to get you started.
For small publishers and labels, with the main day-to-day features.
Included in the plan
For those who have expanded abroad and hold sub-publishing agreements.
Included in the plan
The complete plan, with every Backstage feature.
Included in the plan
Features you can add separately to any plan.
AI assistant to query your catalog in plain language.
Daily routine that identifies distribution lines still pending.
Settle several rightsholders at once, respecting the minimum payout amount.
Agent percentage over referred rightsholders.
Transfer of shares between rightsholders for a period.
Percentage transfer between rightsholders of the same work.
Interest calculated over outstanding advances.
Receive works sent by partners and sub-publishers in CWR files.
Matching, review and licensing routines for sync.
Backstage is a management system for music publishers, record labels and catalog administrators. It brings together repertoire records (works, sound recordings and products), rightsholders and contracts, the receipt and distribution of revenue, and rightsholder payouts.
It has been in operation since 2020 and is developed by Clave de Som Desenvolvimento de Sistemas.
Yes. The system generates CWR files to register the catalog with societies and partners, imports acknowledgement (ACK) files with accepted, rejected or pending works, and imports work and sound recording records from ECAD.
Importing CWR files received from partners, used by those who work with sub-publishing, is part of the Internacional plan or can be purchased as an add-on.
The interface is available in Portuguese, English and Spanish, and each user chooses their own language. Emails sent to rightsholders go out in the language of the person who sent them.
Yes. The virtual assistant answers questions in natural language about catalog data, such as works, rightsholders, sound recordings, contracts and distributions. It is purchased as an add-on.
Plans are billed monthly, in Brazilian reais, and prices are per module: publishing (copyrights) or recording (sound recordings). If you run both, each module is subscribed separately.
They are features that can be added to a plan that does not include them yet for R$ 100 per month each: virtual assistant, automatic identification, bulk settlement, commissions, catalog sales, work equalization, inflation adjustment of advances, CWR import and sync.
From the Professional plan up, several of them are already included.
Billing is in Brazilian reais, through a Mercado Pago subscription. You can choose between recurring payment and a separate payment each month.
You can sign up directly in the system at https://app.backstage.mus.br, or request a demo through the website to get to know Backstage before subscribing.
You record the amounts received and create the distribution with the files from each paying source; the system imports the lines and matches them to the catalog. During processing, amounts are allocated according to splits and contracts and posted to the current account of each rightsholder. Finally, paid rightsholders receive a payment email with receipt, royalty statement and proof of payment.
Lines that do not match any record are flagged as unidentified and can be manually linked to the right work, sound recording or product, based on suggestions from the system. Identified lines that cannot be paid yet, for example because the rightsholder has no bank details, remain withheld until the issue is resolved. Uploading the same file again does not duplicate records.
Yes. Advances are recorded as a debit on the rightsholder account and recouped from later distributions, with the option to apply interest. You can also record agent commissions, catalog sales and equalizations between rightsholders of the same work; these features are included from the Professional plan up or can be purchased as add-ons.
The data of each company is kept isolated: each one sees only its own records and amounts. Access is controlled by permission profiles, which define what each user can see and do, including who can view financial amounts. The system also keeps a history of changes.
Backstage emails the documents on behalf of the publisher: payment notice, receipt, royalty statement, proof of payment and financial position. Files are not attached: the email contains download links, and each document opens only with the CPF or CNPJ of the rightsholder. The delivery status of each email can be tracked in the system.
It is the Backstage Titulares app, where songwriters, performers and other rightsholders check their repertoire, receipts, royalty statements and financial statement from their phone or browser. There is nothing to download from an app store: just open the address and, if you like, add it to the home screen. Access uses a username and password provided by the publisher.
Centralize catalogs, contracts and payouts to reduce rework and track revenue with clarity.